Chapter I - The Gifted Girl

EXT. DORA'S HOUSE - DAY - THE PRESENT

A large decorated BOX with a pretty bow and a pretty note that reads, TO: DORA is being delivered up her walkway and just before the delivery person has a chance to ring Dora's bell, the door opens.

DORA
(surprised)
Hello? Oh! Let me take that. Sure
is light!

INT. DORA'S LIVING ROOM - DAY

The BOX is placed on a fine coffee table littered with antiquities, including a MAYAN DAGGER. She walks with slenderness back to the front door.

DORA (O.S.)
Sign where?
(beat)
Thanks for the present!

Entering the living room Dora passes all manner of ancient relics, old maps and aged marble statues of the finest variety. She silently kneels, back straight, before the BOX and Dora eyes this gift mysteriously. She slyly picks up the MAYAN DAGGER and skillfully slices the bow and note off. Stabs three times. SNAP SNAP SNAP. Dora places the dagger down on the table, stands up and she grips the BOX in the middle then tears it right open.

Inside is HER KNIFE. Dora turns pale and begins to cry.


EXT. HER SHIP - DAY - THE PAST

The waves batter about with a rain bearing round and she's holding HER KNIFE and she's bleeding through a gash in her gossamer wrap. Her legs are pale and slender, and they glisten as a large burly beast of a man falls to the ship's deck, his own blade sheathed inside his skull. Things were tough in the time before Christ. The rest of HER CREW haul and dump the dead man over the side of the boat. Small fits of sunlight pour a calm over the sea. She raises her arm straight ahead and points with HER KNIFE to a patch off in the distance beyond the rocking horizon.

She spots land.


INT. DORA'S LIVING ROOM - DAY - THE PRESENT

Dora grabs and upends the BOX making HER KNIFE drop into the wooden table, point first. It holds there long enough for Dora to place the bow, wrapping and note inside the BOX. It holds there as Dora, BOX in hand, whisks out her front door.

It holds there until HER KNIFE falls over.


EXT. DORA'S HOUSE - DAY

She skips down her walkway and takes a hard right when she hits the sidewalk. Dora walks with purpose and her neighbor, MS. BUSYBODY, calls out to her.

MS. BUSYBODY
Hey! Dora! Where are you going
Dora? Dora!

She keeps walking.


EXT. HER SHIP - DAY - THE PAST

The storm is receding as she walks away from HER SHIP, which HER CREW is trying to tether to a large tree. One of them calls out to her. The sound is muffled at first. Then it sounds like Dora. Then it sounds crystal clear and as sharp as a cold day.

CREW MATE
Pandora!

She stops in her tracks. She is breathing hard. PANDORA looks up past the sky for a beat. One hand on her wound, the other on the hilt of HER KNIFE, safely tucked in, resting gently on her bent hip. Poised like a cowboy. She cocks her head back and to the side as HER CREW of now SIX catch up. They all look very weathered.


EXT. ALLEY - DUSK - THE PRESENT

DORA
Where am I going? Am I going? And
to where?

A large man leaning on a brick wall near a shabby door overhears Dora. His name is FRANKLIN. He is a 56 year old drunk and 65 year old loser.

FRANKLIN
How's 'bout back to my place.

Dora stops dawdling long enough to look over at this man. A moments glance and her eyes begin to wander everywhere. She sees a retirement home across the way, a delivery van for Frank and Lynn's Winery, a broken down wedding chapel on the corner, and an alley cat eating a lump of sausage. Her gaze falls back to Franklin.

DORA
Hello Franklin. You retired old
drunk you. How's the failed
marriage? Once upon a time,
Franklin, I was married. Can you
imagine? Little old me -- wed to
the great Hermaphroditus himself.
Well, itself.

FRANKLIN
How's you know all that? 'Bout me?

Franklin looks bent up before he scuttles off. His departure reveals a sign beside the shabby door. He mutters away.

FRANKLIN
You ain't right. Not right at all.

Part of the sign reads: Second Floor - J. DOE P.I.

DORA
It was a lousy lay!

Dora walks toward the door and in she goes.


EXT. STRANGE LAND - DAY - THE PAST

Massive cliffs keep Pandora and HER CREW from venturing inland. They hug the coast as the SIXTH MATE falls behind.

FIRST MATE
We should sit a spell. Been sailing
all week, walking all day. Rest.
And your wound?

PANDORA
(jerks her thumb back)
Talking orders from the sixth now?

The SIXTH MATE has found a nice and flat rock to relax on. He looks pleasantly comfortable as he rests; his wide frame melting into the picturesque background.

The FIRST MATE grins sheepishly.

Just as Pandora is about to say something the ground starts up something fierce. HER CREW is knocked around and a loud CRACK breaks apart behind Pandora. She squints through a cloud of sand and debris.

A large pile of rocks relaxes on a nice and flat SIXTH MATE.

Pandora sighs.


INT. JUNE'S OFFICE - DAY - THE PRESENT

JUNE DOE is sitting in her chair admiring her CHALK BOARD. On the left side is a list of past cases, a few current, some struck out, some not and to the right a mess of pictographs, doodles, clues, names, numbers, dates and a constellation of clarifications. The rest of her office appears to have been cleaned with a clerical bomb. June lays a gaze sideways toward Dora as she enters.

DORA
Can you get to the bottom of things
for money?

JUNE
In this business that thing found
at the bottom usually is money.
At the top too.

Dora gently slams the BOX down on June's desk.

DORA
Where did this come from?

JUNE
Through my office door no less than
a minute ago.

June stands up. She leafs through the BOX and pulls out the note.

JUNE
You Dora? This box was sent to you?

DORA
Yes.

JUNE
To your home?

DORA
Yes.

JUNE
By regular mail or special delivery?

DORA
I don't know?

JUNE
You don't know? You sign for it?

DORA
Yes.

JUNE
And nothing pops out? A logo? Were
they wearing a hat?

DORA
Maybe? My focus was more on the
present.

JUNE
(sighs silently)
And what was in the box? What were
you sent?

DORA
Nothing.

JUNE
There was nothing inside the box?

Dora looks perplexed, with hands raised in gestured doubt.

DORA
Nihil.

JUNE
Alright. Some message that sends,
an empty box. Or do you think
whomever sent this just happened to
forget to put an actual gift inside?
Have any admirers shooting mental
blanks?

DORA
...No.

JUNE
Quite the case you've given me
here, Dora. I charge a hundred
dollars a day plus any
expenditures. Deal?

DORA
Deal.

June waltzes over to Dora and extends her hand. Dora looks at it for a beat.

DORA
Your word will do.

June nods and heads over to the CHALK BOARD and erases part of a case that is all but ancient history.

She writes DORA & THE CASE OF THE EMPTY BOX.

JUNE
How do I get a hold of you?

Dora looks concerned, smiles and --


EXT. STRANGE LAND - DAY - THE PAST

Pandora looks unconcerned.

FIRST MATE
Pandora, some of the mates are
getting a might restless over us
not finding a way inland and all.

The FIFTH MATE and FOURTH MATE are arguing near the water's edge. Wild accusations and muffled threats begin to push and pull at one another until they coalesce into this wrestling vessel. Sand sprays everywhere. Pandora checks an ornate yet crude compass as the rest of HER CREW distracts themselves on the ensuing fight.

PANDORA
This crew lacks cohesion.

SECOND MATE
What we may lack in unity is
garnered by that unspoken guarantee
of treasure easier split 'tween
a meager two than ample three.
Wouldn't you agree?

PANDORA
Bards.

The fight flails to the shallow ocean water.

The FOURTH MATE is looking victorious, having pinned the FIFTH MATE beneath the watery mat. The FOURTH emerges from the knee deep brine, along with the remnants of a spiny sea urchin colony sticking to his unprotected shins, calves and ankles.

The FOURTH MATE raises his hands in mock celebration as his body switches from processing adrenaline to poison. He tries to laugh and gurgles over, quite dead.

Pandora sighs.


EXT. DORA'S HOUSE - DUSK - THE PRESENT

Dora opens the door to a surprised June. An unsurprised BOX is held by June's hand.

DORA
I thought I only gave you my phone
number? Why are you here --

JUNE
Now, now. Normally I wouldn't pop
by so unannounced without the
benefit of a phone call --

DORA
It would have been nice, yes! Such
a simple little thing.

June takes out her phone and dials the number, seemingly from memory. A ring emerges from inside.

JUNE
Wait, the machine picked up.

Dora is trying to look unamused. June has her very serious face on.

JUNE
Hello Ms. Dora Doric, this is Ms.
June Doe. You hired me earlier this
afternoon and I have an urgent
matter to discuss with you. I was
wondering if I could please speak
to you in person as soon as
possible --

DORA
Hello Dora!

Dora motions for June to drop the charade, smiles and extends her hand through the doorway.

DORA
Please come in.

INT. DORA'S LIVING ROOM - DUSK

The pair enter and June places the BOX on the fine coffee table. Dora offers her guest a seat. June accepts by sitting with her head craning about at the wealth of the ancient world, near ancient world, and world at large that surrounds them.

JUNE
You're a collector? That would
explain some things.

DORA
I suppose that's a fair assessment.
Yes, I guess. I am a collector.

June takes a hard look at the MAYAN DAGGER that sits near the BOX.

JUNE
Now, now. See, Dora, the way this
works, that is to say, the way our
relationship should work, should
function, is by holding on to a
certain degree of fairness.

DORA
Yes!

JUNE
If I am to help look for a solution
to your problem then we have to expect
some respect from one another.

DORA
I couldn't agree more.

JUNE
Do you think it was fair of me to drop
by like I did?

DORA
No!

JUNE
Without you giving me all your
information. Having to call in a few
favors in order to find out where you
lived. Not a very honest way of going
about things, now is it?

DORA
Exactly! I hope you've learned a
valuable lesson.

JUNE
And do you think it was fair of you to
lie to me, like you did?

Dora fidgets and she looks through June. A wave of apprehension arrests Dora's rigid complexion.

JUNE
The box wasn't empty.

Dora turns her back to June then around again.

DORA
All I need is to find out where the
box came from. The box. Nothing more.
If, and I mean a magnificent if --
if there were contents inside that box
then that's between you and said contents.

JUNE
Clues were riddled about, near the box's bottom.
Identifiable marks.

June leans forward, picks up the MAYAN DAGGER and tosses it inside the BOX.

JUNE
Mystery solved.

Dora sits down. She looks pretty and tired. Her hand reaches over and hits the play button on her answering machine.

The message plays all the way to the end.

DORA
Hi Dora.

EXT. STRANGE LAND - DAY - THE PAST

Pandora and HER CREW of THREE are watching the THIRD MATE break down.

THIRD MATE
I'll be the next to go! I have seen
it, with me own eyes, the pattern!
This strange strangle of a land,
with its lack of night, and me with
no sleep. No dreams. We're cursed!
I am cursed!

FIRST MATE
Settle down boy and all. You'll be
scaring the lady.

Pandora looks at the bard.

THIRD MATE
I am being punished, I am. For
falling in with the wrong crowd,
for living a life of wants and
desires! For me lust! How death
conspires against me and mine,
patiently waiting to embrace. How
will you come, me friend? From high
above, am I to be snatched up by
the Sirens? By natural means?
Unnatural? I tire of these petty
games and trivial events, no longer
got the strength to get on. If
you'll have me then, me friend, it
will be --

The THIRD MATE pulls out his short sword.

THIRD MATE
-- by me own design.

Just before the THIRD MATE has a chance to fall upon his sword a scream and a winged-shadow drop across him.

The SECOND MATE has pulled his bow out and fires off an arrow.

The scream turns from joy to pain as a bird-woman, one of the bigger ones, lands down on the THIRD MATE in a puff of sand and blood. Silence fills the air.

PANDORA
I'm too tried to even sigh. We
should keep moving and rest up
ahead, over on that low plateau.

EXT. STRANGE PLATEAU - DAY

HER CREW of TWO settle in near some broken rocks by a large spring, the fresh water having fallen from high off the cliffs before swirling around just beyond Pandora. She looks exhausted. And wounded. She checks her compass and still manages an even smile. Pandora is getting closer.

The SECOND MATE has pulled his lyre out and fires off a lullaby. Big, fluffy clouds lazily waft away in the deep blue sky.

SECOND MATE
I heard about this long day, one
evening, while resting my eyes,
a light tale about a bright shiny sun
wandering through some tired skies.
I heard about the moon come undone,
refusing to quarter or even rise,
night having lost hope, as had dawn and
dusk, and all that dark just dies.

The FIRST MATE yawns as Pandora walks over and begins to lay down in the sandy shade.

PANDORA
You take first watch.

The bard, still plucking his lyre, nods his head and Pandora rests.


EXT. STRANGE PLATEAU - DAY - LATER

Pandora wakes with a start. She rouses the FIRST MATE from his slumber and scans the surrounding landscape. The FIRST MATE rummages about.

FIRST MATE
His lyre is gone. Left a note and all.

PANDORA
Bards.

FIRST MATE
Shall I read it?

PANDORA
No. Take the next watch.

The FIRST MATE stands up as Pandora settles in.

He listens to her thoughtful and measured breathing before he begins exploring the scenery. The sun seems stationary as the shadows slowly move along.

The FIRST MATE finds a heavy oaken log, in front of a large wall of greenery, and has himself a seat. He even leans a little back, pressing into the foliage as his eyelids dance.

Two very hairy arms, brown on bronze with curved nails that extend from each finger, break through the leaves. They curl around, tenderly, until the FIRST MATE is almost being held by these strange muscular branches.

A quick rustle plus a few gentle snaps and the FIRST MATE is gone from this here life.

Pandora sleeps soundly in the distance.


EXT. STRANGE PLATEAU - DAY - EVEN LATER

The satyr named TIMAEUS, with his bronze skin and golden horns, has another drink from a large jug. He quietly clears his throat and makes his way down to Pandora, jug in hand.

The soft sounds of cloven hooves on a moist earth turn to a clear CLOMP CLOMP CLOMP as Timaeus skillfully walks on the broken rocks.

Pandora's eyes go wide then turn into dangerous slits. She hears the sound go soft again as this unknown presence is close enough to smell of sweet sweat and musk.

Pandora lifts herself quickly, her upper body propped up by her right arm, with long legs spread lengthwise across the beach. Her left hand slowly reaches for HER KNIFE. She turns her head slightly to see --

Timaeus has squatted down, his smiling face crooning toward Pandora. His jug, held by the neck, sloshes in his right hand.

Any fear Pandora had shapes itself to one of annoyance. Her head quickly retreats back, as does her fingers which dig deeper into the sand. A quiver of revulsion snakes through her entire body.

TIMAEUS
Good day. Would you care for a drink?
From my jug? These are dangerous lands.
Are you out here all by your lonesome?

TO BE CONTINUED

Chapter II - The Bullet and the Brain

THE CITY

It's on. They all grab their gear. They all head out. It's morning. Early morning in a simple city. A large city, almost a nation in itself. Most of them are nothing more than children. Some are being driven by their parents. Why, a pair of grandparents are dressed as Charlie Chaplin and Adolf Hitler! She makes for one fine Hitler. Where are they all going? And by all, I mean everybody.

Why, everybody's going to CITY HALL!

A massive crowd is sitting in front of City Hall. They're standing in front of it, dancing in front, clapping. Some quietly. Being quiet. Not a peep, otherwise. Not one word. So many people! And they're all holding signs.

Signs that are blank.

A representative for City Hall stands attentively just before the closed iron & oak doors. The police look bored. A giant of a man yawns, his sunglasses barely even rattle.

One woman, SOPHIA PILLAR walks up and through the crowd, those behind her grinning like dogs and they all pat her on the back. She stalks up the stairs, graciously with lanky limbs until she's higher than the crowd but on the same level as the representative and the law and the closed doors of City Hall.

She isn't wearing a costume. Her face is not obscured by a mask. She has longer than shoulder-length hair and is undeniably pretty plain.

She has turned her attention back to the crowd, who, at this point, has erupted in applause. In unison.

She speaks.

SOPHIA
This is no clapping matter! That's nothing
to clap about!

The crowd laughs a hearty laugh. Punctuated with authenticity and veracity. Everyone is smiling. Sophia pauses and looks upward before grazing her eyes over the people.

SOPHIA
This has been a long and tremendous struggle
for every single one of us, to get this here,
to this here very monument of this here very
moment.

Sophia looks downward but only for a second.

SOPHIA
We have sacrificed. We have priced ourselves
with dignity and with honor. On this here day,
as with every other day, we are bound together,
hounded by our conscience for better days. Not
tomorrow. Not later on. Not in a minute or in a
moment because the present is upon us. For all
too long our silence has fallen on deaf ears. Been
seen with blind eyes and felt by numb hands. For
all too long our very voices were broken and
shattered into millions of tiny pieces that, when
could speak, would just end up making one terrible
racket.

The crowd stays silent. Signs raised in triumph.

SOPHIA
Slowly, and with great care, we have grown our
message over these here past days. With great care,
we have united our voices, our hearts, our minds,
our very selves into this here moment.

Sophia Pillar stands tall and spirited. She wears all white.

SOPHIA
With great care are we ready to see beyond this
here moment.

Everyone in the crowd looks full on promise and trust.

SOPHIA
With great care --

Sophia smiles hard.

SOPHIA
The time has come for all of us to understand that
now, yes now, how we must push ourselves forward,
stepping toward the future, how we all shall walk
together behind the light of truth, beside this
here hope of justice and --

A shot, wrung out, disturbs the revelry. Sophia takes one in the head.

The title splashes over this here tragedy, thick white on black, and it reads: The Bullet and the Brain

 
CITY MORGUE

The detective BELLA ALEXANDER is looking incredulous.

BELLA
What do you mean the body is missing? How can you
lose a body? Yes, I suppose the young lady did have a
mass of admirers who could have done such a thing.
What kind of security system do you have running
around these parts?

The mortuary guy shrugs his shoulders. He is short and shifts his weight from one foot to the other.

BELLA
Of course. Budget cuts.

Bella is right incensed. She didn't have to take this case. They called it a favor. They told her it was open and shut. They said, assassination. Sure, she might not find who did the deed, probably skipped the city by now. Probably the country, if the murderer were thinking straight. Sure beats working some detail where there weren't thousands of witnesses. Could be worse.

BELLA
What a day.

Bella is wearing a dress. A fine dress. Understated without any frills attached. It drapes and drops from her body the same way a sheet hangs from a child on Halloween.

BELLA
Were you at least able to extract the bullet? The
detective first on the scene verified that no exit
wound was found. Just entry.

Her hair looks nice. It is usually unkempt or hidden under her hat.

The mortuary guy shrugs his shoulders again. His cheeks bounce.

BELLA
No body. No bullet.

Bella runs her hand through her hair, messing up a mass of curls. Now her shoulders shrug.

BELLA
No ball.

THE POLICEMAN'S BALL

The music is classic and grand, just like the space. The assembly hall is holding its own against the boys in blue. And black. Top hats and bottom tails stretch about as wives chuckle with drink glasses sparkling in the light of the chandeliers.

The MAYOR along with the POLICE CHIEF are standing off to the side, on the highest level, discussing the days event in a type of verbal code they had developed back in their days together at the ACADEMY.

CHIEF
So the dream kept going on like that, everything
around me, getting bigger and bigger, growing through
the roof, the chimney, the windows, through it all.

MAYOR
The house didn't grow as well?

CHIEF
No, no, I am afraid not. The house did not budge.
Me neither, not one inch.

The Mayor chuckled at this grave news and he understood why the Chief had wished to speak to him privately and in public.

MAYOR
Go on.

CHIEF
Ahem. At that moment, an old acquaintance of
ours, from the Academy, that girl with the limp and
the lisp, well, she just comes sliding down the side
of a giant lampshade until she lands on the ground,
strolls over to me and says a few pleasantries.

Grave news indeed. The Mayor condemns a vacant laugh.

CHIEF
I'll tell you one thing, an odd thing. She was older,
looked older. She was a very unique girl. Walked
funny. Talked funny. But, in my dream --

MAYOR
Yes?

The Chief bows his head.

CHIEF
No limp. No lisp.

Both men pause, appearing nonchalant.

MAYOR
Hard to imagine her like that. Like everybody
else, I mean, so normal.

The Mayor attempts to wipe the sweat from his brow. Using his hand, he creates a dry patch on top of his mostly moist face.

He is feverish with thought.

MAYOR
What ever happened to that girl, what was
her name?

CHIEF
Pearl. Her name was Pearl.

MAYOR
What happened to her?

A silence slices through the Chief.

MAYOR
Well? Out with it! What happened --

CHIEF
That we're in over our heads? That what you
want me to say? That --

The Chief bites his lip. None notice.

CHIEF
That she met a guy named Sigh with a hump
and a hum.

THE ACADEMY

SIGH is humming to himself, always to himself. Atonal tuning would be the proper name for it. Sigh tries to find the correct note to start off on.

His OPPONENT scoffs at this and starts slapping his belly, rhythmically and even throws out a few primal insults in his native tongue, to sweeten the song.

His opponent has traveled very far to be here. His family is prestigious. Connected. Few relatives, going back centuries, have had this opportunity to join the Academy.

Each failed.

This opponent has earned this chance, trained for this chance with blood-stained hands and he aims to pass his ALPHA TEST. He could best the best of men, so surely he can take this mutant and his mound!

Sigh kept the hum going as he stood, right shoulder first, HIS HUMP rising higher than his head, and he kept the hum going dressed in nothing more than a pair of short dark gray cotton pants, with a simple white rope to hold them up.

Sigh has a hunch about his opponent.

SIGH
You understand the rules?

His opponent nods his head. A small smattering of spectators has formed, students and teachers alike, all gathering in the ALPHA AUDITORIUM, a large earthen pit crafted into the private grounds just outside the entrance proper.

SIGH
Sure you understand the rule?

His opponent starts to nod then stops, quizzically eying the Quasimodo. It is shifting the question around.

SIGH
The rule, fool.

A hesitation hovers in the air.

SIGH
Where's your ruler?

Sigh hums low and wide, mixing it in with the hesitation and an ample amount of audience participation.

SIGH
The whole point of this here test is meant to
stress the guessing that holds what I would
suggest sure ain't a reasoned lesson now unless
you wish to stop and rest --

His opponent becomes paralyzed with an uncertain and awkward action. Sigh keeps the hum close to himself, and closer still, to this opponent.

OPPONENT
I thought we are to fight? To do battle?
With hands? Not wits.

Sigh smiles.

SIGH
You are correct.

The last thing his opponent hears is the humming of hands and feet and Sigh could've even used HIS HUMP but wished not to humiliate such a fine lad from such a fine family.

The audience yawns about and claps with gingered emotion.

He is carted away by some members of the MEDICAL WING and Sigh imagines his opponent feeling bruised for a spell. Beats him taking the BETA TEST! That would've been brutal on the already bankrupt boy. Not everyone is made of our material. Especially these days.

Sigh hums an old, old tune and walks to his residence beyond the great, big Academy doors.


CITY MORGUE

Sophia Pillar is inside a very fat man. His name was Hubert Hangover and he gave himself to the cause, admirably and with tender care. His death was coming a long time, shot through the liver and well, he had led a good life and died at peace in his sleep.

The GROUP staged a suicide for Mr. Hangover. He, of late, had begun collecting Japanese swords and reading books on samurai culture. He was also considerate and in order to lessen the impact of seeing his messy evisceration, he had kindly emptied his bowels, guts and entrails into a wide steel drum half-filled, or half-emptied, with some sort of corrosive causing agent.

The timing of the plan was a little off and so Sophia lay right tight in this here stunning darkness.

She had made a large incision underneath one of his lower rolls of fat, enough to crawl on in and make herself at home. She was thinking about the plan. The Group had debated the finer points for months with Sophia leading the discussion, rhetorically and orally, until a majority had proceeded to concede that, once again, Sophia was right.

She would sacrifice herself, publicly and privately, to rile up the people and to further the cause. The Group would fake her subsequent death with a few appropriately timed special effects, like a small blood pack set off to explode a split second after the successful shot. Hidden under her hair and filled with her own blood and bits of bone, the pack worked flawlessly. As did the paralyzing drug and the driven paramedic. Sophia surmised that the detective who got the first call was probably lazy and stupid and thinking more about the upcoming festivities then the task at hand.

She gambled on whether or not the morgue would pry her apart before she awoke. A small probability, a tiny chance.

Sophia is thankful to be alive. Curled up in the belly of a very fat man. Not to mention, she hadn't felt this close to a guy in years.


THE POLICEMAN'S BALL

The Mayor whispers banalities into the ear of an aide as his little eyes shift round the spacious hall. Everyone is talking about the death of Sophia Pillar. How beloved she was to the poor people of this here city. How she was trying to build something greater than herself; a bridge between the Province of Problems to the State of Solutions.

The Mayor is ragged and pulls at his cummerbund. He interjects himself into a nearby conversation.

MAYOR
If you ask me, Ms. Pillar was nothing more than
a rouser to the common rabble. Her methods were
sloppy and unprofessional --

He coughs and clears his conscience.

MAYOR
There are diplomatic avenues that one must travel,
at least these days, lest you become mired in
admiration. Ms. Pillar suffered from a grave and
mortal wound, undeniably, yet I wonder if it weren't
self-inflicted, speaking metaphorically so. I wonder
if her death came, not from the long barrel held by
some psychopathic killer, but from a simple and shut
case of hubris --

A loud and unsightly sniffle cleans out any hidden contrition.

MAYOR
We all grieve for Sophia Pillar and for her cause;
lost a figurehead that was as brilliant as she was
beautiful. She will be missed but her mark shall stay
with us, buried deep inside our desire for change.
The ideas she espoused were, for my generation at
least, different and some might even say a little
radical of a rascal --

The Mayor chuckles and raises his glass.

MAYOR
To our Sophia.

A shared gulp later and everyone is talking about the birth of Prince Since Polonius and other royal subjects.

The Chief motions for the Mayor from across the room and patiently waits for him to meander over. The two of them head into a smaller chamber off to the side, door closed.

CHIEF
The message is sent. He'll be on it soon enough.

MAYOR
Good. Who else?

CHIEF
Bella Alexander.

MAYOR
Very good. Is her father here?

CHIEF
No, I am afraid not. Far to busy for any of
this, really. Thomas is probably attempting to
mount Ms. Everest, that gorgeous new actress
from overseas. She's foreign, I do believe.

MAYOR
Thomas taught you well, old friend!

The Chief looks confused and then bemused. Just thinking about THOMAS AUGUSTUS ALEXANDER is enough for his tongue to slip back into a verse-voice that notes an Academy graduate.

CHIEF
Do you remember back in September, that scandal
and how we handled the press all dressed up to
profess our guilt near some such nonsense built
over time like a rich suspense. I'm almost certain
that it's curtains for us folk when that tragedy
broke their attention span before we even had
a chance to suggest a stance of distress against
fundamentalists, that the cycle had spun our
scandal undone.

The Chief shakes his head, dizzy and amazed.

CHIEF
You have a go at it! Just for old times sake?

MAYOR
No.

CHIEF
Killjoy.

THE ACADEMY

Sigh sighs. He is not humming. He sits in his residence, a little hovel of a home on the outskirts, near the wilderness, back out by the OMEGA GYMNASIUM. A pear tree grows in the front. Off to the side is a small workshop, chunks of marble are scattered, crumbled and chipped apart, some with fully formed bits of sculpted woodland legs and wings and horns and snouts and claws and tusks and trunks and tails sticking out of these sizable squares of stone. Large chisels cleave into an abused tree stump nearby and not a single hammer is to be found.

His hump has been acting up again. A dull ache of an act.

Sigh hears someone running up to his front entrance followed by a few elegant knocks and while Sigh wasn't planning for company, he is relieved from his boredom. He springs up from where he sits and opens the door.

SIGH
Hello and good evening to you. Won't you please
come on --

The messenger looks Sigh straight in the eye and hands him a bulging manila envelope and shakes out a vigorous nod, his undertaking now complete. Just before he bolts back into the early dusk light, the messenger sneaks a peek at the humongous hump, if only for a split second.

SIGH
Hum.

And the messenger is off like a lion after the lamb.


POLICE STATION

Bella is studying the paperwork on the Pillar case, what little there is. Crime scene photographs, a hastily written report from a detective who should be here instead of her, witness accounts, what else, some lint, guess the envelope it all came in doesn't count, huh?

She languishes in her chair at her desk. The station is near empty. There was some fear of rioting but the protesters seemed to be more sad than angry, left to commiserate with one another over the loss of their illustrious leader.

Bella will have to trudge down into the vault, where the records are kept and pull up whatever additional paperwork there is on the late Ms. Pillar. Anything to help pad this bare as a bone case.

She languishes some more.


SIGH'S HOUSE

Sigh is evaluating everything there is to know about the life and death of Sophia Pillar. Very little on the dying part aside from a request signed by the SIGMA GUILD to find the missing body.

Her life was pretty plain except for the stuff of her schooling which was done here at the Academy, a couple of years back. She studied in this place. Made it just as far as the EPSILON AUDITORIUM.

Says she didn't take to fighting, or any of the other physical contests; Sophia was apparently gifted with the TONGUE TRAIT.

That explains why Sigh doesn't remember her. Talk is cheap. And boring. And so much easier as compared to battling an opponent with fits of fists and pounds of punch. That takes guts.

SIGH
We are all mere blades made dull by tempered
lives of thoughtful minds.

Sigh smiles. He reads further then frowns with a furrowed brow. She didn't finish her studies, that much is assured. The last exam she took was administered by none other than Thomas Alexander himself.

And she passed. Curious.

The following day she called it quits and left the Academy for good. Not completely unheard of. The real education usually begins after the ZETA TEST, which is about when Professor Alexander steps in.

Now there's a fighter. Kicks that can create capitulation from even the most hardened crowd let alone any advisory. One doesn't have to beat him to graduate, simply survive.

Like Sigh. And he was asked to stay! To teach! And he began to hum a sweet and soft harmony, carrying it up the stairs towards his closed closet of clothes. He opens the door knowing what must be done.

And so Sigh puts on his tailored Sunday best and heads out into the world.


DRESSING ROOM

Ms. Everest is still reeling after the performance of her lifetime. With flushing cheeks, she breathes only after every giggle and glows over the reflection in her mirror.

A knock occurs at the door. An honest-to-goodness man walks on through holding a very large bottle, a pretty bow tied to its neck.

THOMAS
Good evening. Would you care for a drink?
From my bottle? These are dangerous times.
Are you in here all by your lonesome?

TO BE CONTINUED

Chapter III - The Super Story OR The Story of Super

TOP SECRET

TO BE CONTINUED

Chapter IV - New Popolisville

On the First Day

All was shining brightly in New Popolisville with the citizens being citizenly and the trains conducting in a timely fashion and the pigeons in the park with bowels full of bread and The Hidden Jewel being heisted.

"Listen here (grabs his ear) you pathetic jeweler and give me all you _____!" simpered Sad Sac. "Look, the MAN, I knows I need those _____ or else . . ." A diamond the size of his broken dream caught Sad's eye. "How much does that cost? Is it hollow?"

Sad Sac pointed the unloaded gun into the jeweler's face while pressing the other gun, the loaded one, harder and into his very own head. The jeweler gave up and parted with _____ without hesitation and hoped they would do this pitiful man some good.

"Cry for help and we'll both be SORRY!" and with that Sad Sac meekly limped through the front door and hit the street sobbing. He silently slumped on the edge of the curb and waited to be arrested.

This is how every day in New Popolisville began, with Sad Sac getting away in broad daylight.

ELSEWHERE

The League of Headquarters:

  • The Fortune 5 featuring Detective Worth
  • Team Loner
  • The Super-Sensibles featuring Drunk Punk
  • Agents of the Statement
  • The Beautiful Beasts
  • The Landlords featuring the Custodian from the Bureau of Bureaucracy and a Faceless Robot
  • The Power of Our Minute Friends
  • The Extra Men with Suzy Seashells and her Adoring Fans
  • Et Cetera Etc. and the Wrest

Everyone was at the Super Jamboree over in Popolisville and Solid-Dude had nothing better to do so he was incorrectly filling out some forms that a Faceless Robot had left on a Faceless Robot's desk. Solid-Dude knew this created a Möbius strip out of the red tape but took an unseen joy from the following frustration that a certain Faceless Robot would experience. Correctly filing the forms away he thought that he goodn't help himself if he didn't do just one more thing.

LATER THAT AFTERNOON

A Faceless Robot rolled into the upper offices of the Fortune 5 and demanded, well dehumanded, mostly dehumanized the receptionist, who was, of course, the Secret Secretary in disguise, "I MUST SEE SIR WARD REWARD" it clicker'd and clack'd.

The Secret Secretary smiled, adjusted her face mask, politely offered a Faceless Robot to have a seat, took one quick phone call and walked through the Golden Doors, after opening the Pearly Gates and paying a small entry fee. Clicker'd and clacker'd and clicker'd and clickery clackety cloot! She came back looking slightly pale, a trick she had picked up from a hunk of a monk, took one quick phone call and politely offered a Faceless Robot to have a small entry fee and it click'd and clack'd its way inside.

Sir Reward was still at the Super Jamboree but thankfully Corporal COPulent and Detective Rich Worth were sitting across from one another at a long and narrow ProfiTable. They were talking about money. A Faceless Robot rumbled in and said "I KNEAD HELP" clicking its clips like clappity clap, "HELP" clap. Clap. CLAP! Detective Worth looked at the robot and wondered what this machine would need now, the clapping steadily becoming steadier and steadier, wait, not quite "need" - it almost sounded like it CLAP! was CLAP! with CLAP! a CLAP! CLAP! CLAP!

A Faceless Robot stopped clapping. A Faceless Robot stopped. A Faceless Robot? The Detective rose from his position, loosing change from his pockets to let them nestle deep within his lucky chair. In the stillness of that moment as Detective Worth went to aid the robot, he remembered his debt to Sir Reward for all the old man had done for him and how the old man would call him Worthy when they golfed together on the greens. Literally made of money, these greens, ". . . holes so fancy you'll want to invest all your balls in 'em, hey 'ole Worthy."

"Worth! Is it functional?" stated Corporal COPulent as he rose from his chair, crafted by a très cheery sage from an aged cherry tree, his uniform, the finest silk from the rarest blue-blooded silkworms dating back to the Sing Dynasty, his belt and holster were the kindest given leather from a kindly virgin doe, boots worn by the original Capitol COPulent, his gun, exactly wordless. "Is there a reset button?" he said while assessing the machine's head and taking his ancient baton out and tapping the metal arm. "Is there a problem?"

Tap. Tap. Tap. The Corporal almost called for backup. He wouldn't need it. This time. Besides, he figured, Worth was with him.

The Detective looked at the Corporal. "Call for backup. This goodn't get any worse."

OVER IN POPOLISVILLE

Thank the GOD that Worth isn't here, Sister Mercy Mary winfully prayed as things got much worse. The Jamboree was in full swing and the organizers were happy to have her there and she was happy to be there doing the majority of the worklord. Mary prayed for Worth. For Reward. For success and nothing less. She recalled last years event and how peaceful everything was, how good she was. The Sister slammed her cross into the alien/demon hybrid and crucifixed it while holyelling the WORD at a pack of demon/alien hybrids.

"Watch out!" Mary knelt and sang the WORD while holding her rose beads and miraculously saved the Son of Reason of the Super-Sensibles against an alien/demon/unicorn hybrid. "You should be more careful Son." and she kissed him on the forehead, prayed for Reason and asked for strength. All hell had broken loose. "Where are you Reward?" and Sister Mercy Mary prayed once more.

MEANWHILE

Detective Worth had called for an autopsy by an Autopsychic and a lifeless metal robot lay on a lifeless metal table in a lifeless metal morgue. Worth held a silver nickel in his hand, a gift from Sir Reward for solving the Case of the Missing Writer's Block. This was just before he joined the Fortune 5 and was working the ART District beat for the New Popolisville Police Department. The Autopsychic cut through the robot's faceless head and Worth thought he smelt burnt toast. Sir Reward needed a replacement since the False Pariah didn't work out and you can't very well call it the Fortune 4, now can you? The number four is fantastic but five is just lucky.

The autopsy continued as most of the robotic insides were now outsides and Corporal COPulent investigated the investments in his vestments and straightened his tie, which was the colour of forgotten coffee, a gift from Reward for a job well done. The old man had told the Corporal, "You're best when honest and that's the true test of a hero."

The autopsy was now complete and Worth peered over all the contents and fell even silently, mouth slightly turned as his eyes locked onto a copy of a book called The Adventures of Sherlock Holmes written by a man named Sir Arthur Conan Doyle. He picked the book up, noticed that the third story entitled "A Case of Identity" was missing and Detective Worth wondered how exactly this came to be inside a Faceless Robot.

On the Second Day - Part One

Busy St. was a bustling with some going, toing, and froing while Hustle Ave. was a hustling with Sad Sac a mugging this very helpful and gentle woman who had _____.

"Here's the deal grand granny, you mother of Gin & Pension, hand it over or else . . ." he slobbered. She saw him with moist eyes as he stood before her handcuffed and clad in bright, right orange, an orange a subtle shame of shady.

"Don't mind the new look, I hear it's all the rage in prison." and lamely raising his fist, with his other wrist in tow, Sad Sac threatened to hit her with all the might that one so hopefully hopeless could muster. Tsk, tsk, tsking, this little old lady gladly gave up and wished she could give this sweet child even more _____. Perhaps some hard candy?

"Beats hard TIME!" he said. The crinkled corner of her mouth crinkled a little more as her parting words of "Poor boy." sent a wave of desperation in the air. Sad Sac held onto the _____ and waited for the inevitable takedown which would never come.

OVER ELSEWHERE

Jack Aesthetic was piloting the Giant Condor-C back to New Popolisville and the Sister was saying, ". . . I understand Jack yet I think it was irresponsible of Reward to just leave in the middle of the Jamboree." Jack's mask, held tight against his head, had a sheen like copper and was the colour of a suave mauve. "Ward does as Ward shall do, Sissy. Perhaps he took his private plane and flew to his private sea? Perhaps he has a secret identity that none know of?" Jack saw an image of the old man, in his mind and now in the clouds, of Ward's alter ego, standing there in the heavens with a host of angles rising before Him. The plane punched a small hole through its cloudy right eye and the Sister said, "Would a simple telecall really kill him?" The clouds in front of the nun formed into a funeral with all who he has given to mourning the loss of one so generous. Count Accountant came into the cockpit and asked to speak to the Sister alone. When they were gone, Jack switched on the autopilot and then the autolisten.

"What is it, Count?" The Accountant recounted his figuring and numbering and the improper imbalance that had accrued over the course of the Super Jamboree. He was worried about any liability that might scare the shareholders, what with the expensive assets and the assistive expenses and Sir Reward not being able to explain the discrepancy on the account of his not being here. "By my fellow Sisters, how much are we out?" The number sounded far to high for the Sister. "How long can we keep quiet on this?" The number sound far to low for her.

NEW POPOLISVILLE

The AutoCOPS had been working all night and most of the morning. Detective Worth had been reading all night and most of the morning when the Corporal walked into his office. "We picked someone up. Care to join me in the interrogation room?" Worth looked up from his newly acquired book, discreetly yawned and placed Sherlock Holmes in one of the many pockets inside his plain, long and lucky coat. "How is it?" the Corporal inquired. Together they walked to the elevator while Worth gave his initial review. "It's strange. It feels like Popolisville more than a century ago but after checking the deposits in the DataBank, none of the names or places matched up. Same with the writer." The elevator hummed into quick action. "The main character is fascinating though, a detective, like me. This detective uses inductive reasoning and observation to solve his cases. Unlike me." There was a quiet ding as the elevator came to an abrupt stop and Worth extended his arm, "After you, my dear Watson."

The two of them were observing N-Former from behind the one-way mirror. "The AutoCOPS did not have a lot to go on. This was the best they could do with so little evidence." Corporal COPulent took off his gloves, which were woven with Artisilk and had a coppery tinge to them. Cracking his knuckles he said, "Shall we?"

Worth followed him in and had a seat in front of N-Former. "Hey, I dunno nothing 'cept something 'bout that thing, you know? No? I was nowhere near wherever you think I wasn't. That thing with a robot, sure there's chitter and me? I was hanging out by my ladder, as I always do, every night and none a you can say otherwise. No? You hear 'bout what happened to Sally Surefoot? Surefeet now. Was with all the third degree?"

The Corporal sighed, "Tell us about the robot."

"Plenty robots round these parts these days, nary a week goes by without some Robot Face try 'scaping from prison. No? Maybe it had some help from a certain warden but I don't know nothing 'bout nothing 'bout that!" Worth took his book out and asked, "Have you ever seen this before? Heard anything?"

"Smells old. No? You try the library?" The room became still. After a couple of moments Worth took the book back. "What does the N stand for anyway?"

"I ain't never gonna say. Can't make me. I got rights, lefts and maybe even something on your momma. No? Am I free to go?"

MOMENTS LATER

"What now?" wondered the Corporal.

Worth looked at his lucky watch. Everyone would be back tonight and so far they had nothing. "Go and retrace the robot's last couple of hours, maybe the AutoCOPS missed something. And interview everyone again in the League who never went to the Jamboree."

"What are you going to do?"

Detective Worth felt like Captain Hunch. "I guess I'll go to the library."

On the Second Day - Part Two

The AutoLIMO gingerly drove itself up and away from the downtown core, past the Seventh Sealed Bank and the City Hall of Justice, over the Silvery Bridge and under the Fallen River until it finally hit the Freedway. Detective Worth, who enjoyed riding behind the wheel when alone, was savouring the sights and listening to the radio.

". . . and in what they're calling the Late Escape, a Robot Face, New Popolisville's infamous ex-mayor, attempted a daring prison break but was foiled yet again by a change in the prison timekeeping records, the fourth change in as many weeks. On the lighter side of things, this year's Super Jamboree was a smashing success, helping to raise over ten million dollars for the Super Sickids Fund."

*click*

". . . tired of sleeping? Napping got you down? At the Institute of Woken Dreams we can help you realize your dream of a sleepless life. You can explore more at your nearest DataBank by entering WOKEN DREAMS."

*click*

". . . latest from Suzy Seashells and her Adoring Fans, here's Perchance!"

There's a boy called Yes,
And a girl named No,
She was in distress,
He was apropos.

Saved her from a mess,
And wouldn't you know,
Love flew more than less,
Now they're quid pro quo.

The library was at the heart of New Popolisville; some might say it was the heart of the city itself, some being mostly librarians. Worth noted the presence of Mayor O'Mortal and a ream of red ribbon wrapped around the high regal columns guarding the front entrance way. A snip of some scissors would christen the library's latest award of a brand spanking new DataBank, the second largest in the whole city, a gift from Sir Reward. The AutoLIMO pulled up to one of the side doors and hummed into submission.

Yes and No got a little crazy!
Nine months pass, had a little maybe!

He exited the vehicle and entered the building. Everything was quiet like the inside of a church mouse, with mostly everyone outside; their noise being muffled by the layers of brick and years of shushing. Worth headed towards the old book section, beyond the towering shelves filled with a multitude of colourful spines of varying width and height. Everything got a little dimmer, dustier and drabber yet he could almost taste the musty morsel of history. All of a sudden, an Agent of the Statement, none other than WORDwork came buzzing by with an assistant with an assistant. Worth observed the three of them systematically taking random words from random books. Before he could gleam any motive for such behaviour WORDwork says, "Detective Worthwhile of the Fortune Fiefdom! How's it slanging?"

"Short and to the point. Have you heard WORD? A Faceless Robot is dead."

A shock tremor'd across the readable WORDwork's face upon hearing the new news. "No GOOD and so distracted. Pet project and they're exhausted." he said, throwing his thumb behind him where the assisting assistants were sleeping soundly, both of their heads resting against Vol. 7 of The Serious Jester in a Court of Laughter. "What you have spoken is a thing I cannot chairish," WORDwork's speech becoming inflicted, "and while I may have had my different dances with that mundane metal monkey, a question must beg on bent knees to crooked feet," he lightly paused, "might there be a who in the whodunnit?"

Worth rubbed his eyes and thought better of rubbing his ears. "No."

"Suspected leading clues?"

The detective quietly produced Sherlock Holmes. WORDwork voraciously devoured every single page in a few single seconds with the help of his photogenic memory and then handed the book back to Worth.

"Even better the second time. Shame about the missing adventure."

"Second time?" Worth exclaimed. "Where did you see it for the first time? The DataBank had no record of, wait, can you get a copy of the third adventure to me?"

"Certainty! As to where I saw it, a public library is a poor place for secrets." he gestured at his assistants or perhaps it was the books. "Shall we head back to the League?"

On the Second Day - Part Three

Way back in the day and before the invention of Super, the original League of Headquarters was nothing more than a glorified clubhouse on the wrong side of the tracks. A hodge-podge of slightly super-groups looking for, ultimately, a break on their taxes. As New Popolisville grew so did the League, until one day the building was all grown up. Tall, light and handsome. So bright and such a shining beacon of virtue and steel, of justice and glass, of GOOD and gold.

Corporal COPulent had a job to do. He loved his job. Loved the order. The law. The law was right beyond wrong. Above it as well. Right was always above and beyond wrong. He understood his job. He put on his sunglasses. And he suddenly saw through the League. Through the floors, the walls, the structure was as clear as the singing bells of the late Graham Alexander, a great inventor; a great grandfather too. He invented Super and without it, the Corporal couldn't do his job. His grandfather taught him about right and wrong. He taught him the secret to Super. He said to his grandson, "Listen to me Alex, the secret to Super is simple. There is a WORD in swords but no swords in a WORD. You might not understand this now. You will one day. Your older sister Mary understands. She'll look out for you and you for her. She understands. You will too."

Alex Alexander thought about his sister at the Jamboree and thought about his grandfather. He missed them both. He thought about his job. The AutoCOPS missed something. He should have seen to the interviews himself. Seeing through everything in the building had its advantages. The records showed only seven people inside the League since yesterday morning. Alexander, Worth, the Secretary, and a Faceless Robot all have alibis. He spotted the Manmad, the Moose and the Mute. In that order and off he went.

AGENCY OF THE STATEMENT

The Manmad was wearing his C-Thru Skin and a straighthat and nothing else. The Manmad was powering his flowers. The Manmad had company. "Well I'll be a copulating corporeal copula if it isn't CORPoral Copulent!" he lied and cracking all the sense he fit in his shallow sanity. "Wry again am I! A robot's death is like its life! I have mournography. How dare you shoe! Plenty have I and I have plenty. Why wasn't it me! I wanted to bill the cot! Fill it kindly! One killethal suicideath coming up!"

Alexander took off his sunglasses and looked the Manmad right in the eye. "Are you trying to tell me that you're sorry for not killing the robot yourself?"

"I'm pretty in pity! And a plaid hand!"

"Had a plan? To kill the robot? How would you have done it?" Alexander asked.

20 MINUTES LATER

"I still don't understand why you're not locked up." he sighed and the Manmad gave him a lollipop.

"You're one jollicop!" fried the creek and then he dried the train.

"That will be all for now. Carry on." and Alexander wasted no time in going to see Brother Moose.

THE MERRY MONASTERY

The Monastery was on the top Forest Floor, its idyllic country green perched and nestled on a balcony over on the East Tower. Everyone calls it the Beast Tower. Four pairs of giant wings made of concrete, white carbon and golden silver spring from beneath the floor and fold gently over a monk in a temple on a hill in a forest on a balcony in a tower. The wings closest curved over half the greenery while the furthest pair flew straight up, the wing tips bent back ever so majestically. There was an afternoon blue blanketing the air and a pair of clouds rested gently in the middle of the sky, which was crispy and clearly beautiful.

"The GOOD GOD thanks you, Alex." and Brother Moose wasted no time in eating the lollipop. "Care for a prayer?"

There's a goodly battle that
Shares a badly prattle, and
Those that exhaust goodly and
Souls that accost badly, what
Few won and understood, that
Through one comes some GOOD,
Whom the sun hums to GOD and
Do they run, drum or plod?
Say unto them,
Whoa to the NO GOOD!
Whoa to the NO GOD!
Badly confused, then hear all my news with
Goodly infused and lay bare the shy ruse with
Proudly accused, we cheer with wry music.
Say unto them,
Whoa to the NO GOOD!
Whoa to the NO GOD!
Now who is this devil, this Prince of Lies?
You ain't nothing 'cept GOD in disguise,
Too GOOD to be true since we got wise.
Say unto them,
Whoa to the NO GOOD!
Whoa to the NO GOD!

"Wonder how you shall say the True Law?" rang Brother Moose.

Spoke Alexander, "With a revertant and renew'd awe." as he looked down at the ascetic. Brown and bare and big and bald. Alexander resisted an urge to sit with Brother Moose under the sicknomore tree and hum some hymns. Worth would be back soon. He noticed a spider had built its web between the monk's feet. The records showed that he'd been sitting in his temple for the past few weeks. He wished the Brother a very contrite "Merry, merry." and Alexander went to see what the Mute had to say.

THE ORIGINAL LEAGUE OF HEADQUARTERS

When the Super-Sensibles moved in they opted for the original League as their own headquarters. The glorified clubhouse sat in a large courtyard on the glorified ground floor. It's still the same old place since way back in the day except it's called the Oloh now. Or that Club. Or this Olohouse. Or on Olohground. Alexander walked through the front door and the Astute Mute was plainly sitting and mainly holding a half a century year old newspaper with a frontpage headline that read INVENTOR OF SUPER MYSTERIOUSLY MURDERED.

She was wearing her Artful Attire, made from every letter in the alphabet. A Witty Watch with no face, just these tiny Golden Gears and Silver Springs. They were still and broken and the watch had a Savvy Strap that wrapped around her right wrist and up her lengthy limb to an Adept Armlet. Shoulders were naked and revealing her neck which was clasped in a Clever Choker latched with a Locket Lock and no key in sight. Lips were useless and her bland and blind eyes were shaped like almonds with a creamy hazel center. She was holding an Uninteresting Umbrella which was the colour of umbrage and it unfurled and curled above her. Hair fell back and wound around down the left arm and grew from her fingers and into the handle for her Hairybraid Handbag which she reached into and pulled out a long lost letter. She handed it to the Corporal.

The old envelope was stamped and delivered to the League and addressed to Graham Alexander. It was from Ward Reward. Alex opened and read it.

The strangest thing happened to me just the other day! Oh Hammy, if only you were here to invent a little sense of it all. I was giving a dose of some Super to this guy who says he sells futures; not like that fortune seller, something further. He shows me the far fates and I see t'morrow's morrow, which consists of this lovely blind lady getting dressed! Very slowly. It takes her all day and all night and she doesn't say a word the entire time! It's artfully mesmerizing. And she's in the middle of the League Lounge! It's the same next century as it is today! No growth? How can that be?

Then the dame sits down and picks up a newspaper. I can't read the headline, a drawback to bending the lens of time I suppose. When she pops the paper up, this old envelope falls out and slides straight into her fuzzy purse. Then Captain COPulent walks in! He hasn't aged a bit and he stares at her and then the girl gives him this old envelope and he rips it open and looks at this letter. He seems to understand what he's reading and just as he's about to say something, anything at this silent point, the whole vision fades! Why is the future so quiet, Hammy? What does it all mean? - Ward

On the First Day - Part Robot

All this really began when a Faceless Robot woke up on that fateful day of its murder. The Robot immediately noted three strange anomalies or illogicalies.

1. It woke up.

2. It woke up from a dream.

A strange dream about that time Ward Reward gave it some Super. Before that moment a Faceless Robot was just a machine. Clck clck. That's all it could do. After a touch of Super, and well, clickery clackety cloot! An original Robot with all sorts of robotic feats built in and ready to run. An engineering marvel and a being of pure enginery. It dreamt of its birthing into the world of flesh, blood and bone.

3. It yawned.

On the Second Day - Part Four

Worth and WORDwork had come back from the library and were talking with the Manmad in the Agency's library. The Manmad was saying to Worth, "The young officer then politely listened to everything I had to say and left without saying much. I thought he was acting a little odd, myself! I worry about him, Rich. You know how I worry. Look at the time, gotta go!"

"Seize you 'round." WORDwork said and the Manmad muttered mildy and dimly, something about a recipe for a can of homemade Super.

"Nice fellow." Worth expressed and, "Now, about the book, the story. How does it end? How does it begin?"

"My dear fellow," said Sherlock Holmes as we sat on either side of the fire in his lodgings at Baker Street, "life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generation, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable."

WORDwork gave Worth a case of the WORDs and he had his adventure in the wink of an eye. "Thanks. Where and when did you first see it?"

"That's TOP SECRET and it COST PETER his life. Peter was a STREET COP and his TOES CREPT when he walked the beat with his PET ESCORT but he had a SCEPTER TO help CREEP TOTS out. With me so far? The WAR RIDERS killed Peter after he found the book in a DRAWER yesterday morning. You 'earing me, as the Thin Man might say or should we DRAW you a picture?" and WORDwork, Peter, his escort, the tots and the War Riders along with one Thin Man all looked expectantly at Detective Worth.

"I got it. Third library today." and bid farewell and on up he went to the Fortune Floors.

THE METAL MORGUE

Alex was looking down at a Faceless Robot. He reviewed the Autopsychic's log of internal contents. Precision Fission Decision Engine, Plistac plastic tubing, Golden Gears and Silver Springs. There were Wires of One and Switches of Zero. A fiber optical course with a circus of circuits, conduits, and canduits! A couple of qubits. A few crumbs. And Sherlock Holmes.

Alex wondered about those little bits of bread but aside from that and the book, there still wasn't much to go on. He hoped he'd have better luck in the robot's office.

THE ON/OFFICE

The elevator whirled down to the Forgotten Floor and stopped with a cling! Alex stepped out into a small waiting area no bigger than where he just was. Enough to fit a small chair and a door off to the side. The door was made of burnt redwood with a window of frozen glass. It was also locked. Using a trick the Captain showed him, the Corporal pulled out his LAWhistle and chirped the appropriate key. He opened the door and surveyed his surroundings. It was an office. Office desk, office chair. Is that a filing cabinet? Affirmative.

Alex picked up a framed photograph of a Faceless Robot and Reward taken long ago, around the time of the Quick War and discovered, to his surprise, that they were both smiling. Someone, or thing, had marked the robot's faceless area with cartoon happiness. A clear act of vandalism and illegal under the Clear Vandalism Act. How did the AutoCOPS miss this?

AUTOHQ

The report was prepared and double checked, triple checked, and even not checked and sent out over the Choir. They had an AutoJOB to do.

THE BASEMENT TOWER

The robot lived with the Landlords. Alex took the elevator past the Flooded Floors, then an escalator over the Hall of Mazes, then stairs through the Unfinished Room and finally arrived at the robot's apartment. The door, made of heavy lead, was unlocked and easily opened and he surveyed his surroundings. It was an office. Office desk, office chair. No filing cabinet. That was a nice personal touch but the desk was askew and the chair knocked down as if a struggle had taken place. The records showed nothing as the AutoCOPS failed to sweep the area for evidence. Alex was going to give an earful to that AutoBOSS.

THE DAY BEFORE

The chair knocked back as a Faceless Robot stood up, stunned. It had a face. It was a Robot once more. "HOW IS THIS POSSIBLE" it clink'd and clank'd.

"Anything is possible these days." a mysterious voice whisped.

The Quick War

"Just think about it. Graham?" said Ward. "If we pull this off, think of all the good that it'll do. For the League. For New Popolisville!"

"And I'm trying to tell you Ward, that it is far to dangerous to give Super to one of them. The consequences of such an action, gone bad, are enormous. You can't take back what you've given, you know that Ward." Graham Alexander pulled up on the wrench. An awful wrenching sound followed. "Which one would you give it to?"

Ward answered, "You're a man looking for a detail to a plan that will surely prevail! What two greater things good there be in the whole world? I'll tell you at the meeting later tonight. Give you some time to think about it, is all I'm saying." and Ward Reward bounded with extra steps out of Graham Alexander's research lab, almost bowling over Ms. Surefoot, Graham's sidekick. She was returning from the garden, seeing to a study on the effects that diluted Super had on a wide variety of vegetables. The results could have astounding repercussions for grocery markets across the globe. She asked Graham, "What did Ward want?" and he said, "Wants to give Super to a villain."

"Which one?"

LEAGUE LOUNGE

Quite a period to be alive in. All the newspapers went and wrote about it. This invention of Super, and all of us heroes coming together. Crime down drastically, citizens up critically. Life would be quite perfect, an ideal deal except for those pesky villains. My question to all of you is, what do we do about them? Uncle Lex? asked Shychick as everyone in the room listened intently.

"My only concern is to the LAW. If they ain't breaking it, couldn't care a bit. Scum is scum, could be dressed in rags, like the Rag Monster, or in a polished suit. The LAW goes beyond all appearances. Could be a hero and they break the LAW, just means I will take you in." The Captain clenched his stern teeth with a firm jaw.

"You still at that GOOD LAW routine? You haven't come to your senses yet?" said Graham as he and Ms. Surefoot strolled through the side door, which creaked like an old western. "Give up on the one true LAW and focus on better laws, sound laws, laws of science!"

Up till that point, apart from Graham and Surefoot, everyone in the Lounge was sitting. Even Gecko Boy, albeit from the ceiling. But if Graham's brother, the GOOD Captain himself, didn't come barreling over the Unbarrelable and if the GOOD Captain didn't have a bent right hook in his eyes.

Graham noticed that his sibling was a little cranky today. "Ms. Surefoot?"

And sure enough, off the cuff, she went and grabbed the Captain's forward momentum and threw him into herself. Those feet danced forever, and then she swung him and spun him all around the room until he tripped back into his ample blue chair. Ms. Surefoot gave a cute little curtsy, even her bosom bowed a bit, before returning to Graham's side.

Lex gave his brother a mild scowl.

Ward walked in the front entrance with a Faceless Robot and trailing behind them was this guy, who's wearing these clothes that shine. This guy had polished his favorite suit just for this debut. He had bought it on Bells Day over in Popolisville. On the same day he got some Super.

And Ward says, "Hello gang, this is the Manmad and we have a proposition for you."

20 MINUTES LATER

Ward was beaming. Graham left halfway through the presentation. Surefoot stayed. Lex shook his head. The Manmad was juggling. The Drawing Detective didn't doodle the entire time. Shychick was actually weeping. She was also crying on the inside and everyone heard.

Mr. Master had another drink. Gecko Boy fell off the wall at one point. One of the worst effected was the Wary Hero, who threw in his cape and called it a day.

10 MINUTES AGO

Graham Alexander wondered if Ward was going off the deep end. He seemed to be taking a greater number of risks lately. This latest venture of his though. Giving just a small amount of Super to the lowliest of criminals was absurd enough but to the Time Mime? She was about as crazy as Ward and his mad plan.

THE NEXT DAY

The Time Mime woke up that morning with a yawn and a stretch. She had slept in her costume again but she didn't care. She felt so relaxed. As the seconds passed from present and into the past, she slowly noticed how uncomfortable her own dilapidated bed really was. Her pillows seemed to push against her neck at odd angles. Her sheets scratched and her mattress lumped. She finally got up with a sigh, stretched once more and went out for breakfast.

Her real name was Lily Quick and she acquired her powers the old-fashioned way. She had stolen them. Clueless military higher-ups with access to cutting edge scientific research were her bread and butter. They called it the Tock Tick Ray and when she used it on herself a few years back, there was no hesitation. The white coats and glasses had only tested it on lab animals so they never got a chance to see what it could do to a human being. She destroyed the paperwork, sabotaged the machine and framed the hapless military man with whom she was seeing that week. The project was scrapped shortly thereafter.

Lily learned pantomime when she was younger and from her father, a stage performer, who taught her how to focus and move. The thieving she got from her mother. Imbued with the fabric of time and controlled through significant gestures over her face and body, Lily Quick turned out to be quite the criminal mastermind, although at the moment all she wanted were some waffles.

Up ahead, in the park across from her building, a man was standing without motion and around him there had gathered a crowd of people, laughing hysterically. Lily saddled over and watched as a small boy rolled on the ground, belly shaking. A policeman tittered. A couple snickered. The man in the middle was dressed the same as Lily, mimed right out. And he just stood there, doing nothing. The people laughed harder with greater rolling, tittering and snickering. Was that a guffaw? The less he performed, the more the crowd warmed to the man, with curls of mirth thrown before him and the longer the charade continued the more compelled Lily was to think the man a hack. The crowd, imbeciles.

Then the man, the mime in the middle, walked up to Lily and gave her his card. It was blank and while she might have thrown the thing on the ground, for the first time in her life she felt utterly baffled as to what to do next. Why would she keep a blank card from this mockery of a buffoon? Why did she need this thing? She wanted to hurry this travesty up, wished to be on with it. She felt dizzy and timeless and her eyes went wide and then WHEN happened.

TO BE CONTINUED

Chapter V - The House on Infinite Lane

A TWISTREE FOREST

A twistree comes in many certain styles, inevitable colors and happening combinations. Why, in any given forest, there exists swirly twistrees and twirly twistrees and whirly twistrees. Once-a-while there grows the very rare swirly twirly whirly twistree but the poachers usually take them down pretty quick.

And please do not be fooled by the dreaded twistytrees, which are a blight on the natural beauty of this habitat. Twistytrees will, thankfully, burn easy enough which happens to be the only way to tell the two apart.

In the middle of one particular twistree forest is a small roaring campfire. Three sit silently. The THIN MAN observes his newly found companions, a boy and a girl whose names are BOY and GIRL.

The Thin Man sees barely an outline encompassing the pair of them as they're not quite fully present, simply made up of an emptiness that punctuates absolutely nothing.

He's all here, since the moment he was born, without no arms and with hair like lines, a little like the lines that surround these kids. He is wearing swim trunks and shiny, black flippers; he squints constantly and has hollow bones.

THIN MAN
Remember when we met? Was that --

He enunciates the next word.

THIN MAN
Yes-stir-day?

He flatly smiles.

THIN MAN
I remember it, I surely do --

YESTERDAY

Girl opens a door and cautiously comes into a large hallway. She is still trying to get the hang of this strange and foreign place. She hasn't seen a thing since her arrival, which couldn't have been more than a few hours ago.

She opens and checks her timepiece. It's here. She isn't.

Suddenly, across the hall, another door, of so many doors, opens up and Boy stumbles right on through.

BOY
Where am I? Who are you?

Girl tries to look startled except fails minus the face and from around the corner strolls the Thin Man, stunned and won over by honest-to-goodness guests. He stops, stands still and introduces himself, dropping a couple of his aches.

THIN MAN
'ello. Thin Man's the name. 'armless
I am.

GIRL
And these whereabouts? This house?
Where are all the windows?

THIN MAN
The what knows?

GIRL
Windows. To the outside world?

THIN MAN
What's outside?

BOY
You know! Real skies and seas and
clouds and trees! Haven't you ever
gone outside?

The Thin Man shakes his head with a-no-motion.

THIN MANI've been down
the 'all.

He points with a flip of his leg from where he came.

THIN MAN
And now I'm off the other way.

He pivots on his heel and gracefully spins, same as a weather vane battling a light breeze.

BOY
May we join you? My name is Boy!

The Thin Man smiles a great grin and nods.

GIRL
Sure's a silly name.

BOY
Is not! What's your name? Girl?

The young lady pauses ever so eloquently.

GIRL
As a matter of fact, yes, that's
exactly my name.

BOY
Is not! You're making fun of me.

The Thin Man has plopped his bottom on a nearby beach ball. Sand is scattered about the hardwood hall floor and the wallpaper behind him paints a picture with watery waves, airy skies and the occasional puff of a pillowed cloud. A corner of it, towards the ceiling, peels forward and curls over revealing a very normal wooden wall. This scenic beach theme is almost everything the Thin Man has seen as far back as he cares to recall. The monotony only broken up by the odd bit of graffiti, sometimes expertly, even masterfully mixed into the scene and, of course, the rooms could be surprisingly different, although scarcely.

And now this!

GIRL
'ello Thin. We must be off then.

She doesn't hesitate as she takes the lead and walks the way they should be going which is, coincidentally, the same direction that the Thin Man was heading.

THIN MAN
Pleasure to make your acquaintances
and 'ow do you do?

The Thin Man extends his upper body, like one would an arm, as an after-you-gesture to the boy.

BOY
Much better, thanks.

And so the three begin their journey together in the halls of the House on Infinite Lane.


THE HALLWAY

They have been traveling for hours. Girl hasn't said a word.

BOY
So you grew up here, by yourself,
in these parts, your entire life?
How do you know how far to go
when you need to be somewhere?

THIN MAN
Distance is measured in doors.

Girl stops.

GIRL
Who taught you that?

The Thin Man appears to be thinking.

THIN MAN
No one.

GIRL
How many doors have we gone? In
the two hours we've been walking.

THIN MAN
What's an 'our? What's two of 'em?
Are two 'ours better than one?

BOY
You know! Hours are like minutes
and like days!

THIN MAN
What's a day?

The Thin Man hops up on curved flippers, bending his knees and bobbing slightly.

THIN MAN
A minute is something you 'old on to,
I think, I heard --

GIRL
How many doors?

THIN MAN
Well, we met near those waters
infested with those sharks.

Which was true.

Before he met his guests the Thin Man was admiring an amazing and magnificent mural, which he had named the Sharking Sea, many trips ago. This was just after his jaunt through the Missing Doors passage. Waves and blue sky as far as the eye can see.

THIN MAN
We're a thousand doors shy of the
Bedroom Room. We could rest up,
if you'd like.

He bobs about.

THIN MAN
Five hundred doors.

BOY
Is he right?

GIRL
Yes. Do you know what this is?

Girl pulls out her timepiece and pops it open to show the Thin Man the face and hands of a clock. He stops bobbing.

THIN MAN
'oly 'ell. Put that away, child.
I've seen a few clocks in my paces.
Wait. What's wrong with it? Why
ain't it moving?

It clicks away, tick by tick.

BOY
It's moving just fine.

THIN MAN
No, Boy, I mean really moving. Over
in the coastal city of Coaster by the
Corner Cove, I watched a swarm of them
things trying to devour one another.
Destroyed twelve rooms in the process.

Every single clock in the House is different. There are similarities between some as there are whole clock tribes and even families. Grandfathers and mothers and little baby pocket watches. And they have their own language and speak in ticks and tocks. They sing with bells and whistles; they can dance and they can love and hate.

And they war. They war with their own kind, these clocks. In the House on Infinite Lane, a clock can be the most dangerous thing in the area. The most terrifying thing.


THE BEDROOM ROOM

The three make it safely, unburdened by incident, to a common door equal parts common neighbor, common stranger and common enemy. The Thin Man effortlessly flicks his flipper, kicks the knob and the door opens inwardly.

A gallant light spills onto the hallway. The three enter unannounced and are greeted to a bedlam of beds and accessories.

GIRL
How comforting.

Boy yanks at the bottom drawer on a neatly made dresser and he finds a miniature bed tucked inside, filling all four corners. The largest bunk of the bunch rests at the far end of the room and above it hangs a big oil painting, the subject matter dear to any bedding man.

Thin-&-bones sits on a cot that has been forced into the form of a chair. Boy discovers the diary of a hammock specialist. Girl vainly attempts to leer at herself mirror-wise. She struggles with her silly strings of hair and finally gives up.

Her attention turns to the painting, a portrait of an unkempt bed, the very same bed that lays below it.

GIRL
Identical frame, posts, sheets and
pillows. They all differ --

She looks all around.

GIRL
Except here, in this case.

Girl inspects the unsigned canvas further.

GIRL
There, stuck between, in the painting,
there's something stuffed under the
mattress.

She draws up the crafted blankets draped over the side and reveals, then plucks, an object hidden in painted sight.

This irregular item resembles a regular mug. The handle is snipped near the middle and a glass lens fills past the brim. She twists her wrists and the bottom unexpectedly falls out.

BOY
It's a telescope!

Girl stares through the spyglass and the lack of distortion astonishes her; crystal clear as she zooms in on different items in the room.

A subtle-yet-quiet snap, originating from nowhere, thinly streaks across the milieu and Girl tries to capture it with a few shaky turns of her head. She lowers the scope.

GIRL
Did you see that?

The Thin Man and Boy shake their heads so Girl fixes the place with a suspicious stare. She decides to raise her scope to the painting and examines it again, in detail.

GIRL
The mirror? In the reflection --

Girl points to the large standing bedside mirror.

GIRL
Look into the painted mirror and tell
me what you see.

Boy swipes the scope from Girl's hands.

BOY
Just more beds.

GIRL
In the back, the very back of the room,
past the --

BOY
I spot a door!

They all rush to the very back and find an upstanding bed attached to the narrow wall. A thick wool blanket the color of a shepherd's staff tightly hugs the entire thing and wraps around a bump near the bottom approximately the size of a pillow or two. Girl breaks out her pocket knife and slashes down the side of the sheet. Boy helps to tug out the mattress and there in the box-spring is embedded a long and now found door.


THE LONG AND LOST HALLWAY

Boy kicks a beach ball off the wallpaper as he walks down the hall.

BOY
So you've never been here before?

THIN MAN
I 'eard rumors, about another 'allway.
Fancy fables told by bored brothers or
silly sisters.

He quietly sneezes and dryly bobs.

THIN MAN
The truth is certainly more stale.

A desert of dust covers every conceivable surface.

TO BE CONTINUED

Chapter VI - The E.N.D.

TO BE CONTINUED

A WORD

INT. TIM'S ROOM - LIMBO

TIMOTHY LEE ROBINSON is sitting in a small room with painted pink walls and a yellow door. The humming of a computer is the only sound to hear. He is holding a pencil.

TIM
Hello and welcome to my latest unfinished
project!

Tim places a pencil to paper and applies some pressure.

TIM
Having things left unfinished is a part of my
MOTIF. A motif is a recurring theme or pattern
and while there are others --

Tim looks at his sketch so far and frowns.

TIM
My drawings don't make much sense to most
of everybody, which is fine. I draw for me.
Unfortunately, that means a massive chunk of
my WORK is inaccessible to, well, everybody.
The writing is an attempt to rectify that
situation in the hopes of making some of my
WORK a little more reasonable to the general
population.

Tim scrunches up the paper into a ball and tosses it aside.

TO BE CONTINUED